There are three basic forms of contemporary street performance. The first form is the "circle show". It tends to gather a crowd, usually has a distinct beginning and end, and is done in conjunction with street theatre, puppeteering, magicians, comedians, acrobats, jugglers and sometimes musicians. This type has the potential to be the most lucrative for the performer because there are likely to be more donations from larger audiences if they are entertained by the act.

The meaning of the word "comedy" and the audience's expectations of it have changed over time and vary according to culture.[90] Simple physical comedy such as slapstick is entertaining to a broad range of people of all ages.

Animals have been used for the purposes of entertainment for millennia. They have been hunted for entertainment (as opposed to hunted for food); displayed while they hunt for prey; watched when they compete with each other; and watched while they perform a trained routine for human amusement. The Romans, for example, were entertained both by competitions involving wild animals and acts performed by trained animals.

Fairs and exhibitions have existed since ancient and medieval times, displaying wealth, innovations and objects for trade and offering specific entertainments as well as being places of entertainment in themselves.[165] Whether in a medieval market or a small shop, "shopping always offered forms of exhilaration that took one away from the everyday".

On the banks of Canal St-Martin in a former fire station and later squat, this arts and music venue attracts an underground crowd for concerts, dance…

They spoke with AP entertainment journalist Kaitlyn Huamani about reports of Gilliam visiting the set, casting little people and the pressures of remakes.

Court ceremonies, palace banquets and the spectacles associated with them, have been used not only to entertain but also to demonstrate wealth and power. Such events reinforce the relationship between ruler and ruled; between those with power and those without, serving to "dramatise the differences between ordinary families and that of the ruler".[34] This is the case as much as for traditional courts as it is for contemporary ceremonials, such as the Hong Kong handover ceremony in 1997, at which an array of entertainments (including a banquet, a parade, fireworks, a festival performance and an art spectacle) 九游娱乐 were put to the service of highlighting a change in political power.

Now classed as a historical monument, this music hall dates from 1887 but was redecorated a century later by Philippe Starck. Artists who have performed…

The wide variety of musical performances, whether or not they are artificially amplified, all provide entertainment irrespective of whether the performance is from soloists, choral or orchestral groups, or ensemble. Live performances use specialised venues, which might be small or large; indoors or outdoors; free or expensive.[67] The audiences have different expectations of the performers as well as of their own role in the performance.

Some dances, such as traditional dance and ballet, need a very high level of skill and training; others, such as the can-can, require a very high level of energy and physical fitness. Entertaining the audience is a normal part of dance but its physicality often also produces joy for the dancers themselves. Dance across cultures

A seafarer tells the young Sir Walter Raleigh and his brother the story of what happened out at sea. Storytelling is an ancient form of entertainment that has influenced almost all other forms. It is "not only entertainment, it is also thinking through human conflicts and contradictions".[17] Hence, although stories may be delivered directly to a small listening audience, they are also presented as entertainment and used as a component of any piece that relies on a narrative, such as film, drama, ballet, and opera. Written stories have been enhanced by illustrations, often to a very high artistic standard, for example, on illuminated manuscripts and on ancient scrolls such as Japanese ones.

The actress reflects on being told to sit up straighter on the set of a film to hide her belly rolls.

AP entertainment journalist Leslie Ambriz sat down with the 31-year-old performer in Los Angeles to talk about her love of film, personal growth — and controversy over her “Aceita” music video, which shows rituals from her Afro-Brazilian faith Candomblé.

While technology increases demand for entertainment products and offers increased speed of delivery, the forms that make up the content are in themselves, relatively stable. Storytelling, music, theatre, dance and games are recognisably the same as in earlier centuries.